I photograph places rather than people — the empty spaces they leave behind. At night, I’m drawn to deep shadows, artificial light, and the way cities reveal a different character after dark. By day, I focus on architecture, structure, and form — how buildings hold light, weight, and time.
My work moves between familiar locations and new places to explore. Travel plays a quiet role, not as spectacle, but as observation — walking, looking, and responding to what’s already there.
I work across film and digital formats. Film for its grain, restraint, and sense of duration. Digital for its clarity and precision. High contrast runs through both — a way of stripping scenes back to their essential elements.
Photography, for me, is a slow and deliberate practice. It’s about attention rather than presence, atmosphere rather than action. The images here are records of that process — spaces, shadows, and moments left open for interpretation.